Ghost: a shadow on the sleeve of your sweater; a rhythm returning from lifetimes before; the meandering suggestion of a river on an ancient, yellowed map.
Journal submissions are open January 1 – April 1 (summer issue) and July 1 – October 1 (winter issue).
Our annual chapbook contest is open for submissions from May 1 – July 31 (fall publication).
We publish poetry, essays, images, multimedia, hybrid, cross-, multi-, and post-genre work. We are interested in work that does not sit comfortably inside genre labels—work that bends or pushes against traditional limitations; that mixes, blends, and steps outside of the normal bounds.The best way to understand what we're looking for is to read our Special Feature: Hybrid Forms & the Post-Genre Approach.
Submissions are open July-October and January-April. We publish poetry, essays, images, multimedia, hybrid, cross-, multi-, and post-genre work annually in December and June. We also hold an annual summer chapbook contest judged by the editorial board.
Current Reading Period: July 1 - October 31, 2017
We are interested in work that does not sit comfortably inside genre labels—work that bends or pushes against traditional limitations; that mixes, blends, and steps outside of the normal bounds.
The best way to understand what we're looking for is to read our Special Feature: Hybrid Forms & the Post-Genre Approach.
- Submit your work as a .doc, .docx, or .pdf file and title the document with your name.
- You may submit 3-5 shorter pieces or 1 longer piece, max. length 15 pages. Include all pieces in one document.
- For visual work, title the file with your name and upload as a .jpg or .pdf. For video pieces, attach a link and/or embed code.
- If your submission does not fit into the categorical boundaries of "word" or "image" and there's no way to put it through Submittable, query us. We'd like to experiment with you.
- Attach a brief cover letter including a bio.
- Simultaneous submissions are fine; we ask that you let us know if your work is accepted elsewhere.
- If you have already been published by us, please wait one year before submitting again to a regular issue.
- We acquire first rights (which revert back to you upon publication) and request acknowledgement in subsequent publications.
In this ongoing feature on our blog, we invite writers and artists to take us into their own isolated moments of seeing/being. Send in a photograph, video, or sound clip of the image, song, or moment accompanied by a piece of writing – of any length, in any style or form – that brings us into your moment of awareness. Perhaps it is an old box filled with a meaningful collection; a particular moment of light hitting a brick wall; found text on the sidewalk; a compelling configuration of trees. ‘Frame’ it for us; show us what you see.
**If we have solicited a letter from you for this series, this is the place to submit**
‘Letterboxing’ is a contemporary treasure-hunt style outdoor activity, in which clues are used to seek out and find very small, weatherproof boxes in publicly-accessible places. Inside these boxes are unique stamps; finders make an imprint of the stamp in their personal logbook, and imprint their own stamp in the logbook of the letterbox.
But the original letterbox was somewhat different. In 1854 in southwest England, an area guide hid his calling card in a jar in a remote area near Cranmere Pool on the moors of Dartmoor. He encouraged his clients to leave their calling cards in the jar as well. As time went on, visitors began to leave self-addressed notes and postcards in hopes that other visitors would find them, gather them, and return them by mail to the sender.
At Ghost Proposal, ‘Letterboxes’ is our periodic newsletter; a relationship in the form of transmission. A letter from a friend, from a stranger, hand-typed for you. Letterboxes is a letter from one of our past contributors to another. We encourage you to write to a contributor who may not seem as though they have much in common with you – how do you correspond?
For reference on this initiative, please see “Not the Map but the Winding” in Essay Daily’s series on nonfiction editors discussing the kind of work they seek to publish in their journals.
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